Another interesting aspect of these retellings is that the portrayal of Sita moves from being a victim to the one who is in complete control over her life and destiny. 'Fierce Rvan, king of giant race,Stole St from thy dwelling-place.He calls his magic art to aidWith wind and cloud and gloomy shade.When in the fight my power was spentMy wearied wings he cleft and rent.Then round the dame his arms he threw,And to the southern region flewO Raghu's son. One thing which is common in these texts is the central focus on Sita the entire narrative revolves around her, her choices, her decisions, which lend her the much-required voice not found in Valmiki"s epic poem. In such a context, it is interesting to note the various alternate readings of Sita"s portrayal which have emerged in contemporary times from the numerous retellings of the Ramayana. She is the ideal woman and the role model the very personification of the "pativrata"-that the patriarchal society expects all women to look up to. The entire Aranya Kanda of the Ramayana is set in Panchavati, which was then a part of the Danakarayana Forests. It was here that Lakshman cut Surpanakha's nose and Ravan kidnapped Ma Sita. Looking for rama sita ramayana online in India Shop for the best rama sita ramayana from our collection of exclusive, customized & handmade products. Valmiki"s heroine, Sita, not only occupies a central position in the ancient Indian epic, but also in Indian culture and every Hindu household. Ancient day Panchvati and modern Nashik, this is one of the most prominent places in the story of Ramayan for here Lord Ram spent most part of his exile.
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